29, October 2016 § Leave a comment
Clearing Storm at the end of a brilliant day
As the last days of October come in with clouds and cold winds, we have arrived at our half term break. Some of the students will be travelling, but the majority of the group are choosing to stay in Paros to work in the studios and the digital lab. It has been a busy and event filled semester. After returning from Italy we introduced the landscape of our lovely island with several hikes, the first was a walk above Lefkes to the inner valley beyond the windmills. There among the olive trees John read an entry from his journal from the time he lived on the Navajo Reservation in Arizona. It never fails to move his audience and this time there was a deep quiet as he finished. His words touched us all.
John reading from his journal under the olive trees
Last weekend we sailed around Antiparos with Captain Tasso and had a meal at Zombos, a restaurant at the southern end of the island facing Despotico. We had just strolled about the new excavations of the ancient temple, getting a glimpse into the working of the restorers who are rebuilding the facade of the temple. The winds came up as we finished our meal and Captain Tasso felt we needed to start back to avoid the oncoming storm. It caught up with us anyway and we all got wet, but the students sang and huddle together and we were rewarded with a full rainbow as we turned the corner toward Paros and home.
A few days ago Dimitra Skandalis gave a guest lecture on her work just before she returned to her new home in San Francisco. She shared her ideas and her passions with students and brought along some samples of the work she does with seaweed. She is a former student who is originally from Paros. Her exhibition at the school this summer was her first solo show here on the island.
Now with a much needed break to consolidate information and clarify goals, the students will come back to finish the semester work and prepare to display their efforts for the final exhibition in the first week of December.
Cliffs of volcanic detritus on the backside of Antiparos.
Enjoying the Rain…Hoddies!
:Thanks, Ken Shiozawa, for the photos and being Student Extraordinaire
8, March 2016 § Leave a comment
The first week of the spring semester is underway and students are attending their initial classes in order to make a decision about which areas to concentrate in. It’s exciting and everyone is hoping to do more than they can practically handle. All will settle in, as usual, by the end of next week.
We have students from China, India, Norway, Canada and the US as well as Greek students so we are truly an international community. The faculty are currently evaluating the level of each student and adapting their teaching to accommodate and facilitate the abilities of each. With a small group this is not only easy but also vital to our philosophy of individualized instruction. The Socratic method, first used and explored by the Greek philosopher of that name, is our modus operandi. We pose open ended questions, allow for personal interpretations and expect impassioned and imaginative answers. The digital photography class has several returning students who will bring their experience and expertise to elevate the level of the instruction. The same holds true for painting where three of the students are second or third term students who can share opinions and aesthetic ideas. This Friday our first hike will take place above the town of Lefkes in the valley behind the windmills. Afterward we will all share a taverna meal at Flora’s. After all, eating well is part of a life well lived.
15, October 2012 § Leave a comment
At the core of the Aegean Center, lies the philosophy of the Sanctum, the Center’s special space for students in the hill village of Lefkes. If the Center is an oasis for the Classical arts in a wasteland of post-modernism, then the Sanctum is an island refuge from the din of the over-connected, banal networks found in the supposed modern world. In my own experience I have found the Sanctum to be a place of healing, a fountain of renewal after I had been drained dry by societies pressures and the indecision of identity and character.
In 2010 I was still connected to old rhythms, still dancing a tired, limping waltz leftover from an exhausting home-care commitment in which I had willingly labored since 2004 and human aid work in Bosnia in 2007 and 2008. That fresh spring day I had not intended to come to sit in the clear light of that quiet room. I had wandered around Lefkes hoping to take some interesting photos in the streets and the surrounding area, but found myself, quite by accident, at the Sanctum’s door. The students had visited the place a few weeks before with John Pack. He had told us something about himself that day and opened up his heart in both joy and sadness. I inserted my shiny, new key, turned the lock and walked in. I put down my day-pack. It suddenly felt too heavy to bear. The muted April light shining through the windows illuminated the soft pillows, colorful rugs and a small wooden writing desk on the floor. There were only earth tones, nothing jarring to the senses. There was a painting on the wall, some wooden tables, a few simple caned chairs. The air was cool, scented with oregano growing in small pots. In comparison I felt heavy, ungainly, somewhat unbalanced. My mind was buzzing with a dull grey drone and I found myself asking questions as old as Paros: “Why am I here? Who am I? What is my reason? Where am I going? What will I find when I get there?” I sat down roughly into the pillows, grateful for their softness, kicked off my shoes and fell into oblivion.
I awoke an hour later feeling more calm, but still pensive. I had dreamed. I understood that it was acceptable to feel uncertain, to ask these questions of myself. I didn’t need the answers today. Perhaps they would never be satisfied. To keep searching would be better than ending the quest with a quick, efficient, modern answer. I had discovered this vital truth, a truth I knew in my heart, in a little room in Greece, surrounded by silence and light. I returned to Paroikia that afternoon, transformed.
So what is the philosophy of the Sanctum? To be honest I am not entirely sure, but I know that there is one important rule: No electronic interference or devices: no mobile phones, no internet, no recorded music, no games. Nothing that would distract the mind from the important experience of ‘being’, as opposed to ‘doing’. We come to the Sanctum to learn who we are, just as we come to the Aegean Center to experience something we do not have in America, or wherever we are from. With any luck we leave that behind when we step off the boat from Athens. We search for something more meaningful in a world measured by ‘things’ and a vertical technology. We disengage from the cacophony of an incorrectly defined progressive era, step over the marble threshold and into a clear and quiet room. We put down what we carry.
– John D.C. Masters, Paros, 15 October, 2012