21, October 2014 § 4 Comments
by Jane Morris Pack
The 25th anniversary of the Italian Session now underway at The Aegean Center has been a delightful and rich experience for all of the faculty and students. In September, we arrived in Italy to find that our villa above the town of Pistoia had recently been restored to its original appearance and the 16th century painted trompe l’oeil facade on the garden side has been redone. The painted elements enhanced the plain walls with illusionistic stone work and invented windows. The paint echoes the front of the building but does not coincide with all the actual windows on the back. This use of illusion to provoke symmetry even when it does not exist was questioned by some of the students who could not understand why the paint and the architecture do not coincide. But the tradition of illusionistic painting to achieve perfection is a long standing practice in Italy. There are many false windows and arches painted on buildings to balance design.
We had the additional treat of watching the restoration painters demonstrate for us the painting technique. The Bellini family of artists, father and sons, follow a long tradition of painters using techniques which date back hundreds of years. The straight lines were drawn using a simple stick held against the wall and a sure hand in the artisan. The paint was mixed in clear divisions for the highlight, basic tone and three shadow values. As we watched, a three dimensional frame appeared before us, simply and carefully constructed by the master painter. It was fascinating to observe and humbling to understand his command of his craft. As he put on the final paint to represent the cast shadow, the frame seemingly lifted off the wall into the third dimension. We were delighted to have this firsthand insight into the time honored craft of illusionistic perspective painting.
17, October 2014 § 1 Comment
by Steven Kosovac
Three years have passed since I found myself in a taxi driving through olive groves just outside of the Italian city of Pistoia. Three years since I first attended the Aegean Center Fall Semester – the start of a profoundly formative journey that has drawn me to the tiny marble island of Paros time and again.
This past summer I returned once more to Paros, not as a student but as assistant to John Pack in the printing of The Greater Journey. A two-tome collection of photographs by John and poetry by Peter Abbs, the book was printed in a limited run of 121 handcrafted books. I arrived to find Peter’s poetry, already printed by letterpress on Hahnemühle fine art paper, resting on the shelf. My job then was to transform the reams of virgin paper and litres of Piezography printer ink resting nearby into the 21-image portfolios that accompany each book of poetry.
After a leisurely few weeks spent on the island (my arrival was premature, as the spring semester was still in session), I abruptly transformed into a machine, printing more than 2,500 images over a period of six weeks. In the air-conditioned oasis of the Center’s digital lab I methodically loaded Hahnemühle’s soft and warm bamboo digital photography paper into an Epson 4800 printer modified to take Piezography monochromatic inks.
The unique ink blends required continual minor adjustments to the contrast and midtones, but apart from a few minor setbacks and one near-catastrophe – solved after many hours of determined problem solving with John – the images printed without trouble.
Though much of the work was mechanical and repetitious, the time spent looking at the photographs and understanding John’s sensitive photographic eye has contributed to my own visual sensibilities. And that is to say nothing of the invaluable hours passed beside a great and determined mind.
Now with the job done and a new school year starting again, I’ve left Paros one more time, and my own journey continues.
The Greater Journey is to be presented to donors who make a substantial contribution to the Aegean Center Endowment Fund or otherwise significantly support the Center’s mission and various development projects. For more information please contact John Pack directly via email or phone at the Aegean Center.