The Craft of Fine Digital Photography

15, July 2010 § 4 Comments

John with Amy and Carrie in the Digital Lab

I attended the The Craft of Fine Digital Photography, a two week seminar in June led by John Pack, the digital photography professor and director of the Aegean Center.  As I have only studied  darkroom photography in the past (under Elizabeth Carson, the Aegean Center darkroom photography professor) I was very excited and curious to learn about the methodology and approach to making a digital print.  John stated that his course was a poetry class — we were to discover how to become eloquent in the language of digital photography.  Personally, I was just hopeful to string together a coherent sentence.

The workshop encompassed all attributes of the digital photo workflow.   With the creation of an image every various aspect of its development was considered.  From taking a photograph and setting up the proper work conditions in the digital lab, to working on the image in Camera RAW and Photoshop in order to make adjustments to the image.  Then there are the test strips, followed by the test prints of the image.  Finally, after much contemplation and consultation with John and the fellow workshop members, we get a result: the final print.  The students were left with an understanding of how to deal with taking an image from the camera, to the computer screen and to the final print while maintaining the most control over the different conditions.  Every day we worked in the digital lab, and in the evenings we took photographs and visited areas around the Paros.

When you’re working hard, enjoying what you’re doing in the company of good people in a beautiful place like Paros, time flies by at warp speed.  Yet though it felt so quick, the amount of information, experience and growth which occurred in those two weeks was worthy of months of learning, perhaps more.  We had plenty to show from the space of time: great memories, new friendships, fresh ideas and most importantly, finished works.  Our prints showed that in two weeks time we were able to be articulate and express ourselves  in the new and vibrant language of fine digital photography.

-Jun-Pierre Shiozawa

"Olive Trees," 2010 , Jun-Pierre Shiozawa

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