The Art of Encaustic

6, April 2009 § 3 Comments

Euphosyne demonstrates the preperation for encaustic painting

Euphosyne demonstrates the preparation for encaustic painting

On a beautiful Thursday afternoon last week, the Aegean Center enjoyed a lively and  interesting presentation by Euphrosyne Doxiadis.  A long time friend of the Center, Euphrosyne presented two previous talks this semester regarding the Fayum Portraits and the contested Peter Paul Rubens painting of Samson and Delilah in London.

Euphrosyne presented the art of encaustic painting — painting with beeswax.  Byzantine icons and the portraits of the Fayum  use this ancient technique which dates back thousands of years. Pigments derived from earth are mixed with the hot wax which can then be applied to a prepared surface, such as wood or canvas. Based on the tetrachromy (or four color palette) of white, black, red  and yellow, this simple palette can yield hundreds of colors.

Euphrosyne gave an overview of the  preparation –melting the wax on a hot plate, adding mastic resin to act as a binder,  adding the pigments themselves  and the application of the paint with large stiff brushes.   The colored wax, once applied, immediately hardened on the surface and could then be further manipulated by using electric tools to heat, melt, scratch and shape the wax.

Many of the students experimented with the paint and found it exciting but  challenging to manipulate the wax paint before it set.  We found it would take some time and practice to learn subtle handling of this medium.

Ves and Zach work on their painting

Ves and Zach work on their painting

carter-paints

Carter paints

Experimenting with the encaustic painting

Experimenting

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§ 3 Responses to The Art of Encaustic

  • hello Euphrosyne!
    Do get in touch, have a look at my website!
    Love David

  • I would really like to study the encaustic method, I am a working artist wanting to expand my mediums.

  • I am interested in passing whatever time I have, using my freetime as a way of doing something completely different from what Ihave been dolng all my life, which has been photography, which I am still very stimulated in doing, but I feel the need to try my hand at some thing which is new and stimulating for me.
    I feel great affinity towards “Fayum portraits” Which will help me pass some interesting times, if and when I can come to terms with the learning of the technique, which is probably not that simple if done well…
    Adria Hamilton…

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